Saturday, January 21, 2012

You are Invited!

I am thrilled to invite you to the opening night of my two-person gallery show at BayArts: Small Good Things.

Small Good Things postcard_F.jpg


For this show, ceramicist Sue Kirchgessner and I spent a year developing artwork that reminds us of summer. I created realistic figurative paintings in oil paint and encaustic (beeswax) and floral mixed media pieces that have glowing, gilded accents. Sue made functional ceramic lanterns and beautiful tableware covered in elaborate nature vignettes. The resulting body of work is both playful and powerful and we can't wait to share it with you. Please come celebrate with us.

Friday, February 10th 2012 • 7 to 9 pm
BayArts is located within Huntington park
28795 Lake Road • Bay Village, Ohio 44140
440-871-6543

"Small Good things" will be on display until March 3rd.

An artist talk will follow on Sunday, February 19th 2012 at 2 pm.
Preview our work at http://potteryandpaint.blogspot.com/.

Hope to see you there!

Tuesday, January 17, 2012

Art Club

Home Sweet Home!
Cleveland is an incredible city to live in if you are an artist. It is large enough to have several thriving art districts and small enough that a newcomer can have a shot of showing in one. More importantly, the people here are amazing. I am constantly blown away by their talent, warmth, and camaraderie and the way that they welcomed me in with open arms. There is a feeling of "we're all in this together" unique to rust-belt cities. It's something special and I'm proud to be a part of it.

Once a month, I attend Group Therapy Art Club at a local wine bar. There, both amateurs and professionals alike come together to talk about what it means to be an artist. We also draw too, but that really isn't the point. As it turns out, we all have the same thoughts, neuroses, insecurities and awe over what we do. Discovering this and having a group available to talk through tough issues has made me a better artist and person.

Here are a few things I've learned:
  • The only competition that matters is the one against yourself
  • Artist need other artists to thrive
  • It is destructive - on many levels - if an artist stops making art
  • Everyone has something to teach; Everyone has something to learn
  • It is OK to have multiple artistic identities
  • Artists in a group have more power that an artist alone
  • It is important to help others succeed
Many of these were not easy concepts for me to come to. Like other artists in this incredibly subjective and visible field, I have a problem with competition. Keeping myself positive, supportive of others, and competitively neutral is a challenge and I am happy to have a group of peers that understand that in me and help me work toward my goals.

When recent art school grads ask me for advice, this message always comes first: Find a Community. I will say more on these sacred words in future posts, but the essence of the concept is this: we are all in this together. I am thrilled and lucky to have found my community. Cleveland Rocks!

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Here are a few amazing Cleveland art communites:

Wednesday, January 11, 2012

15 minutes

A Serious Artist
I am a VERY busy artist. I do freelance work and commissions, create collections for gallery shows, and teach. Oh, and I also work a full-time job. On the best days, I am on a creative high - delighted to have opportunities to do what I love. On most days, I am overwhelmed and exhausted. Or... at least I was until art marketing consultant Alison B. Stanfield gave me some very good advice:
"Spend just 15 minutes a day checking in with your art."
It is a beautiful idea. Suddenly it is OK to work just 15 minutes a night on your art as long as you do it each and every night. Of course this is not a way to make an entire show or career, but it gives permission for those nights when all you can contribute is 15 minutes. As one who can get overwhelmed by big tasks, this advice is priceless!

In a recent blog post, Gretchen Rubin of "the Happiness Project" fame, also recommends a 15 minute schedule. When facing a seemingly insurmountable task, she tells herself to, "suffer for 15 minutes". Eventually, the job gets done. (Please see that blog post here). As she says, we often underestimate how much we can get done in the short term. So go out there and take advantage of that time!

The 15 minutes can be spent any way you choose as long as it relates to your artwork. For me, this includes anything from creating artwork to marketing to reading art books. It does not include internet time (unless I am researching something specific) but can include blogging time. Usually, the time limit is just the catalyst I need to get my butt in the studio and I end working for longer. However, if I need to stop, I NEED to stop - and that is perfectly OK!

Tonight, my 15 minutes will be spent on sending artwork photos to the gallery for a press release. Did I mention that I have a gallery show opening in almost EXACTLY a month? No? Oh! I have a gallery show opening in a month. Time to get back to work!


One Month to SHOW TIME! Hope to see you there :)

Sunday, January 8, 2012

Oil Painting Supply List for Begginners.

***This is a repost from an older blog. I thought it would be good to kick off things here***

Oil Painting Supply list:


One of my students this session is new to oil painting and asked for a supply list. Since I usually teach advanced students who already have supplies that they are used to, I hadn't compiled a list until now. I really enjoyed pulling this list together and found that it helped me get a better hold on my own supplies. This is what I told her to get:

(Please note - a painting surface is not included in this post, since my student already had one. I will write about surfaces another time - that could get it's own post!)

Paint: It is important to buy professional grade paints. Student grade paint contains a larger proportion of "binder" (the clear medium in which the colored pigment is suspended) to pigment. As a result, these cheaper paints do not mix correctly and are very frustrating to work with! The paint that I like to use and recommend to my students is, "Windsor Newton Artist's Oil Colors". There are other brands at the store, but I know that Windsor Newton works for me so I stick with them.

When picking paint colors, you generally should get White and a warm and a cool version of Brown, Red, Blue, and Yellow. You can mix most colors you need from those basics. To start, I recommend the following colors:

* Titanium White (you will notice that there are other whites available. They vary in "whiteness" and transparency. They will be good to experiment with later, but titanium white is perfect to start.)
* Burnt Umber (this is a warm dark brown)
* Raw Umber (this is a cool dark brown)
* French Ultramarine Blue (Please note, there are a lot of debates on the color temperature of blues!)
* Prussian Blue
* Cadmium Yellow (Warm Yellow)
* Yellow Ochre (This is a warm dark yellow that is very useful for mixing skin tones)
* Cadmium Red (This is a warm red. Please note, the Cadmium colors are very expensive, but unfortunately there really is no substitute for them)
* Alizarin Crimson (cool red)

A few optional colors that I like are:

* Burnt Sienna (Very warm reddish brown)
* Payne's Gray (Dark blue gray)
* Windsor Violet (purple)
* Cadmium Yellow Pale or Cadmium Lemon (These are your cool yellows)
* Terre Verde (Green - generally you can mix your greens from colors you already have though)
* Naples Yellow (Very pale yellow. Careful, this color contains Lead)

You'll notice that black is not included on this list. Most painters find store bought blacks to be too flat looking on the canvas, especially since true black rarely exists in real life. You can mix your own dark colors easily (I like to mix Prussian Blue and Burnt Umber).

Paint Mediums
: To start, I recommend Turpenoid which is an odorless solvent. You will also need a container to keep the medium in. I keep mine in a glass jar, though there are nicer, fancier alternatives you will see at the store. Oil paint and medium eats through plastic, so you will not be able to use a plastic container.

Palette: There are many choices out on the market for palettes. I like the ones that are resealable like this. Paper palette (which is sort of like wax paper that comes in pad) will keep your new resealable palette clean and easy to change. There are many paper palette brands. Chose one that fits the best inside your resealable palette.

Brushes: There are A LOT of choices out there and you really have to find what you like best through trial and error. Here is a good article about the different options. I prefer using synthetic brushes - they tend to be softer which works for my style of painting. Try getting a few different sizes of filberts, rounds, and flats. I also recommend 1 large brush to use for washes (doesn't have to be too fancy) and 1 liner (long and thin).

Optional Supplies
:

* Sketchbook (for drawings and notes and fun!)
* Palette Knife (we use these for mixing and moving paint and sometimes event to paint with)
* Brush soap
* An Apron
* A box in which to keep everything
* Paper Towels or cloth rags
* Pliers (for opening stuck tubes of paint)
* Liquin (This is a painting medium that I like to use which acts as a drying agent. I prefer the original thickness. I either paint with it straight or mix a little into my turp to speed drying times.)

Sunday, January 1, 2012

New Year - New Blog

"Let the beauty of what you love be what you do." - Rumi



Happy New Year, everyone! Welcome to my new corner of the internet. I am Erin Schechtman - professional illustrator and product designer by day; art teacher and fine artist extraordinaire by night.

2011 was an important year for me for a number of reasons. This was the year that I started teaching, joined an inspiring art club, and created bodies of work for 3 shows. Through these experiences and others, I have learned a lot about myself and how I make art. Part of that is the discovery that I need to share those lessons.

So, without further ado, I am thrilled to introduce you to my brand new blog, Erin in ArtLand.

This will be my attempt to catalog all of my teaching tools, artistic insights, successes and failings, and the general joy (and often misery) of creating. I LOVE what I do and its time to tell everyone.

In this blog, we will get into the nitty gritty of technical art skills, but we'll also talk about the emotional roller-coaster we jumped when we decided to become artists. I might not post everyday, but expect to see something from me at least once a week. Please join me on this crazy, crazy journey.

Anyway, I'll be seeing you soon - I've got a painting to finish first.